1969 |
PARASITE - op.1 |
(cl, tp, cb, mba) |
1970 |
EXPEDIEE I - op.2 |
(va) |
1971 |
FLUCTUATION - op.3 |
(ob, cl, fg, perc) |
RESONANCE I - op.4 |
(pn) |
1972 |
CONVECTION - op.5 |
(fl, cl, fg, pn, perc, str) |
DOUBLE-TALK No.1 - op.6 |
(vn, va) |
1973 |
DOUBLE-TALK No.2 - op.7 |
(fl, cl) |
VESTIGE II - op.8 |
(2sop, m-sop, bass, fl) |
1975 |
LATENT IMAGE I - op.9 |
(pn, perc, 2players) |
RESONANCE II - op.10 |
(pn) |
STEUERUNG - op.11 |
(orch) |
DISSIMILAR : DOUBLE-TALK No.3 - op.12 |
(cl, pn) |
1976 |
LATENT IMAGE II - op.13 |
(4fl, pn) |
POLYMER - op.14 |
(solo perc, b-cl) |
1977 |
LAYER OF RESPIRATIONS - op.15 |
(3shakuhachi) |
LATENT IMAGE IIa - op.16 |
(2fl, 2cl, pn) |
OSMOSIS - op.17 |
(2fl, 2cl, hp) |
EXPEDIEE II - op.18 |
(cl) |
INTERMODULATION : DOUBLE-TALK No.4 - op.19 |
(tp, perc) |
MARNAGE - op.20 |
(mba) |
1978 |
SILVER SHIMMERS - op.21 |
(fl) |
DOUBLE-TALK No.5 - op.22 |
(guit, biwa) |
LAMINA - op.23 |
(orch) |
1979 |
CROSS STITCH - op.24 |
(fl, cl, pn, perc) |
TRACING - op.25 |
(ens) |
DOUBLE-TALK No.6 - op.26 |
(mba, perc) |
1980 |
TACTILE IMPRESSION : POLYMER II - op.27 |
(solo perc, assist) |
VESTIGE III - op.28 |
(vc, perc, vo-fem) |
1981 |
THE QUEEN BEE - op.29 |
(mba) |
DOUBLE-TALK No.7 - op.30 |
(fl, vn) |
OSMOSIS II - op.31 |
(fl, vib, str) |
IN SOLUTION : DOUBLE-TALK No.8 - op.32 |
(tp, mba) |
CROSS STITCH I - op.33 |
(4players) |
CHAIN : DOUBLE-TALK No.9 - op.34 |
(2guit) |
1982 |
IN THE MEMORIES - op.35 |
( pn, perc) |
LINKS : POLYMER III - op.36 |
(solo perc, assist) |
DISPERSION : DOUBLE-TALK No.10 - op.37 |
(rec, vn) |
SEAM OF SOUND - op.38 |
(brass-ens) |
EROSION : POLYMER I - op.39 |
(solo perc, assist) |
UNDULATION I - op.40 |
(mba) |
TENSION - op.41 |
(cl) |
1983 |
STRIPE : DOUBLE-TALK No.11 - op.42 |
(2guit) |
CROSS LAMINA - op.43 |
(wind-ens) |
REPRESSION : DOUBLE-TALK No.12 - op.44 |
(ten, pn) |
DOUBLE-TALK No.13 - op.45 |
(rec, vn) |
ETUDE - op.46 |
(3mba) |
UNDULATION II - op.47 |
(mba) |
MARCHEN - op.48 |
(rec) |
CANTILENA - op.49 |
(ob, str) |
OSAKA' 83 - op.50 |
(30gen, 4players) |
1984 |
FLUID : POLYMER IV - op.51 |
(solo perc, assist) |
POLYMER (4 parts) - op.52 I EROSION / II TACTILE IMPRESSION / III LINKS / IV FLUID |
(solo perc, assist) |
ACCESS - op.53 |
(brass-ens) |
KO (SOLITUDE) - op.54 |
(fl or rec or nokan) |
SHIMMERS : DOUBLE-TALK No.14 - op.55 |
(mnd, guit) |
1985 |
CLOSE : DOUBLE-TALK No.15 - op.56 |
(2fl) |
1986 |
DIFFUSION - op.57 |
(solo perc, voices) |
SILVER SHIMMERS II - op.58 |
(fl-orch) |
1987 |
EXPEDIEE III - op.59 |
(fl) |
EXPEDIEE IV - op.60 |
(ob) |
EXPEDIEE V - op.61 |
(cl) |
DOUBLE-TALK No.16 - op.62 |
(fl, ob) |
DOUBLE-TALK No.17 - op.63 |
(fl, cl) |
DOUBLE-TALK No.18 - op.64 |
(ob, cl) |
TRE SOLI - op.65 |
(fl, ob, cl) |
1988 |
UNDULATION III - op.66 |
(mba) |
TRAILING AWAY - op.67 |
(pn) |
THROUGH FOLIAGE - op.68 |
(solo eng-hrn, perc, str) |
1989 |
AMBIENCE : SILVER SHIMMERS III - op.69 |
(fl-ens) |
DOUBLE-TALK No.19 - op.70 |
(picc, cl) |
SYMPHONIC OVERTUREACCESS - op.71 |
(wind-ens^orch) |
1990 |
TRE SOLI II - op.72 |
(3mba) |
MONOMER (3 parts) - op.73 I WELLING UP / II SANUKITE / III SPIRIT OF WOODS |
(solo perc) |
1991 |
en Mai - op.74 |
(fl) |
TANGENT : DOUBLE-TALK No.20 - op.75 |
(fl, mnd) |
JOIN : DOUBLE-TALK No.21 - op.76 |
(2players) |
JOIN II - op.77 |
(perc-ens) |
1992 |
SEVEN SHORT SCENES - op.78 |
(mnd-ens) |
FESTONE - op.79 |
(fl, cl, vc, vib, mba) |
SUPERIMPOSE : DOUBLE-TALK No.22 - op.80 |
(tp, pn) |
TIME JUNCTION : DOUBLE-TALK No.23 - op.81 |
(tp, perc) |
INTERLACE - op.82 |
(sax-quart) |
1993 |
JOIN III - op.83 |
(perc-ens) |
NON TRAMONTI QUESTA PASSIONE - op.84 |
(fl) |
FESTONE II - op.85 |
(mnd, guit, vib, perc) |
SEVEN SHORT SCENES II - op.86 |
(str-ens) |
1994 |
TORCULUS - op.87 |
(3mba) |
SEAMS : DOUBLE-TALK No.24 - op.88 |
(2cl) |
RICENZA POETICA - op.89 |
(orch) |
FESTONE III - op.90 |
(fl, cl, mba, perc) |
1995 |
REQUIEM RICORDANZA - op.91 |
(brass-ens) |
PASSA IL TEMPO - op.92 |
(orch, coro-ragazzi/pn, coro-ragazzi) |
1996 |
ACCESS II - op.93 |
(sax quart) |
THE PROSPECTS : DOUBLE-TALK No.25 - op.94 |
(mba, perc) |
EROSION : THE POLYMER I - op.95 |
(solo perc, wind-ens) |
FLUID : THE POLYMER IV - op.96 |
(solo perc, wind-ens) |
1997 |
ASPETTA DOMANI - op.97 |
(pn) |
JOIN IV - op.98 |
(4players) |
TRIO CASSATION - op.99 |
(3mba) |
FESTONE IV - op.100 |
(fl, cl, mba) |
1998 |
JOIN V - op.101 |
(perc-ens) |
TRIO CASSATION II - op.102 |
(3cl) |
PHASE : DOUBLE-TALK No.26 - op.103 |
(ten-rec, 20gen) |
FESTONE V - op.104 |
(fl, cl, vc, vib, mba) |
INFINITO SPAZIO - op.105 |
(3shaku, 2shami, 2koto) |
1999 |
THE PROSPECTS II - op.106 |
(key-board) |
DREAMING - op.107 |
(sop, fl, pn, perc) |
DOUBLE-TALK No.27 - op.108 |
(fl, pn) |
THE PROSPECTS III - op.109 |
(perc-ens) |
2000 |
LA CANZONE DEI RICORDI - op.110 |
(vn, orch) |
SPACE RESPONSE : JOIN VI - op.111 |
(perc-ens) |
MEMORIA FORMATO - op.112 |
(mba) |
2001 |
SEVEN SHORT SCENES III - op.113 |
(mnd-ens) |
RESPIRATIONS - op.114 |
(wood wind-ens) |
TIME LINKS - op.115 |
(fl, pn) |
THE BROKEN TIMES - op.116 |
(chamber orch) |
2002 |
ALTRO FESTONE - op.117 |
(fl, cl, vc, vib, pn) |
FRAMMENTI DI SPAZIO - op.118 |
(orch, shomyo) |
SPACING - op.119 |
(guit) |
MODO FRAMMENTARIO - op.120 |
(pn) |
TRE SUONI - op.121 |
(3shakuhachi) |
2003 |
SEQUENTIAL FRAGMENTS - op.122 |
(ens) |
SPACING II - op.123 |
(rec) |
TIME SPACING : DOUBLE-TALK No.28 - op.124 |
(rec, guit) |
SPACE FRAGMENTS II - op.125 |
(wind-ens) |
2004 |
COME IL VENTO PASSATI - op.126 |
(solo-shaku, str / solo-fl, str) |
MEMORIES ONCE MORE:DOUBLE-TALK No.29 - op.127 |
(2pn) |
SPAZIO IMPROVISARE - op.128 |
(barocco ob) |
DOUBLE LINK - op.129 |
(fl,cl & vib,pn) |
SOUND SHIFT - op.130 |
(guit) |
TIME TRACING - op.131 |
(fl,va,hp)@ |
2005 |
THE MAN IN A SPACE - op.132 |
(narr,vc,perc,pn) |
LYRICAL LANDSCAPE - op.133 |
(fl-ens) |
REFRAIN : DOUBLE-TALK No.30 - op.134 |
(fl, guit) |
DUAL TENSITY : DOUBLE-TALK No.31 - op.135 |
(rec, mba) |
2006 |
TIME SHIFT - op.136 |
(string trio) |
SOLITUDE SOUL - op.137 |
(solo perc, mba-ens) |
SPACE GRADATION - op.138 |
(wind-orch) |
SPAZIO IMPROVISARE II - op.139 |
(ob) |
SPAZIO VARIATO - op.140 |
(orch) |
2007 |
TIME PORTRAITS : DOUBLE-TALK No.32 - op.141 |
(2vn) |
TIME SEQUENCE : DOUBLE-TALK No.33 - op.142 |
(cl, b-cl) |
COSMO INVENTIO - op.143 |
(cl) |
2008 |
SYMPHONIC CANTICLE SHINRAN - op.144 |
(orch, chor) |
TWOFOLD - op.145 |
(2euph, 2tuba) |
MEMORIES ONCE MORE II : DOUBLE-TALK No.29 - op.146 |
(2pn) |
2009 |
COSMO TRIANGLE - op.147 |
(3timpanists) |
CONCORD : DOUBLE-TALK No.34 - op.148 |
(2bass-cl) |
RELATIONS : DOUBLE-TALK No.35 - op.149 |
(cl, pn) |
2010 |
SYMPHONIC CANTICLE SHINRAN(small edition) - op.144a |
(orch, chor) |
SYMPHONIC CANTICLE SHINRAN - op.144b |
(wind-orch, chor) |
SYMPHONIC OVERTURE ACCESS 66 - op.150a |
(orch) |
SYMPHONIC OVERTURE ACCESS 66 - op.150b |
(wind-orch) |
ACCESS 66 - op.150c |
(brass-ens) |
ACCESS 66 - op.150d |
(tp-choir) |
IN THE DISTANCE - op.151 |
(wind-ens) |
IN THE DISTANCE - op.151a |
(orch) |
INSPIRE : DOUBLE-TALK No.36 - op.152 |
(tp, perc) |
TRIO FESTONE - op.153 |
(fl. vib. pn) |
TIME PORTRAITS II : DOUBLE-TALK No.37 - op.154 |
(2cl) |
2011 |
INTERLACE - op.82a |
(sax-ens) |
SYMPHONIC CANTICLESHINRAN(revised edition) - op.144 |
(orch, chor) |
SYMPHONIC CANTICLESHINRAN(small edition 2) - op.144c |
(orch) |
THE PROSPECTS No.4 - op.155 |
(perc-ens) |
JOIN No.7 - op.156 |
(wood & perc-ens) |
IMAGINARY PERAPECTIVE - op.157 |
(fl-ens) |
2012 |
THE PREZENCE - op.158 |
(solo timp, wind-orch) |
SOUND RESPONSE : DOUBLE-TALK No.38 - op.159 |
(tuba, pn) |
SOUND RESPONSE : DOUBLE-TALK No.39 - op.159a |
(rec, pn) |
POST LAMINA - op.160 |
(orch) |
SOUND SPACING - op.161 |
(fl, cl, vc, pn) |
2013 |
SOUND LINKS - op.162 |
(orch) |
CATENA SPAZIALE I - op.163 |
(fl) |
CATENA SPAZIALE II - op.164 |
(ob) |
RECOLLECTIONS - op.165 |
(pn) |
COSMO VARIATO - op.166 |
(str-ens) |
TIME PORTRAITS III : DOUBLE-TALK No.40 - op.167a |
(2fl) |
TIME PORTRAITS IV : DOUBLE-TALK No.41 - op.167b |
(2ob) |
2014 |
CATENA SPAZIALE III - op.168 |
(tbn) |
CATENA SPAZIALE IV - op.169 |
(hp) |
CATENA SPAZIALE Ia - op.163a |
(fl) |
REFLECTIONS - op.170 |
(sax-ens) |
TIME PRECOLLECTIONS : DOUBLE-TALK No.42 - op.171 |
(fl, pn) |
SYMPHONIC CANTICLE - op.144d-1,2 |
(str-orch) |
CANTICLE - op.144e |
(sax-ens) |
CANTICLE - op.144f |
(str-ens) |
JOIN No.7 - op.156a, a-1 |
(mba-ens) |
JOIN No.7 - op.156b, b-1 |
(str-ens) |
JOIN No.7 - op.156c, c-1 |
(sax-ens) |
DISTANCE I : DOUBLE-TALK No.43 - op.172 |
(2fl) |
DISTANCE II : DOUBLE-TALK No.44 - op.173 |
(2fl) |
TRIO RECOLLECTIONS - op.174 |
(fl, ob, pn) |
2015 |
DOUBLE PHASE - op.175 |
(sax-ens) |
SYMPHONIC CANTICLESHINRAN(final edition) - op.144 |
(orch, chor) |
DOUBLE UNIT - op.176 |
(wind-ens) |
TIME SPECTRUM - op.177 |
(brass-quint) |
MOMENTARY SPECTRUM - op.177a |
(brass-quint) |
CATENA SPAZIALE V - op.178 |
(mba) |
SOUND LINKS (edition 2015) - op.162a |
(orch) |
MOMENTARY LANDSCAPE - op.177b |
(ens) |
2016 |
CATENA SPAZIALE VI - op.179 |
(guit) |
SEPTEMBER NOTE - op.180 |
(sax-ens) |
AKIHA-SHRINE FIRE FESTIVAL : DOUBLE-TALK No.45 - op.181 |
(2rec) |
MEMORIAL NOTE - op.180a |
(cl-ens) |
TIME GRADATION - op.182 |
(orch) |
CONTACT : DOUBLE-TALK No.46 - op.183 |
(fl, guit) |
2017 |
SONIC CALLIGRAPHY - op.184 |
(str-orch) |
FANCY FIVE - op.185 |
(quintet) |
SAXOPHONIC PASSION - op.186 |
(sax-ens) |
SONIC GRADATION - op.186a |
(wind-orch) |
WINTER NOTE - op.187a |
(str-quartet) |
2018 |
IN THE LANDSCAPE - op.187 |
(orch) |
SHADOWS : DOUBLE-TALK No.47 - op.188 |
(2 sop-sax) |
TIME GRADATION - op.182a |
(wind-orch) |
COSMO IMMAGINARIO - op.189 |
(sax-ens) |
CANTICLE - op.144g |
(orch, chor) |
SONIC LANDSCAPE - op.190 |
(orch) |
2019 |
POST-JOIN - op.191 |
(sax-ens) |
SHADOWS II : DOUBLE-TALK No.48 - op.191 |
(fl cl) |
IN DIALOGUE - op.161a |
(quart) |
TRIO IN DIALOGUE - op.161b |
(fl cl pn) |
INTERMEZZO concertante - op.193 |
(sax-ens) |
SONIC FIELD - op.190a |
(orch) |
COSMO A PIACERE - op.189a |
(ens) |
THE LANDSCAPE - op.187b |
(orch)@ |
MOMENTARY LANDSCAPE II - op.177c |
(sax-quart pn) |
SHADOWS III : DOUBLE-TALK No.49 - op.192a |
(2 guit) |
2020 |
SOUND STEPS- op.194 |
(sax-ens) |
IN THE WIND - op.195 |
(fl-quint, cl-quint) |
THE DIALOGUE - op.161c |
(quint) |
WINDS GRADATION - op.182c |
(wind-orch) |
2021 |
ACCESS 77 -Double Seven - op.196 |
(sax-ens) |
ACCESS 77 -Double Seven - op.196a |
(wind-orc) |
ACCESS 77 -Double Seven - op.196b |
(orch) |
SOUND GRADATION - op.197c |
(wind-orch) |
2022 |
LA CANTO POLIFONICO -op.198 |
(sax-ens) |
LA CANTO POLIFONICO -op.198a |
(str-ens) |
FIVE LOCATIONS -op.199 |
(wind-orch) |
CANTICLE - op. 144g |
(orch) |
CANTICLE - op. 144h |
(wind-orch) |
CATENA TEMPORALE - op.200 |
(sax-ens) |
CATENA TEMPORALE - op.200a |
(wind-ens) |
2023 | FIVE LINKS - op.199a |
(wind-orch) |
THE PERSPECTIVE - op.201 |
(orch) |
SYMPHONIC CANTICLE (extra edition) - op.202 |
(orch) |
SYMPHONIC CANTICLE (extra edition) - op.202a |
(str-orch) |
CANTICLE (extra edition) - op. 202b |
(str-orch) |